Gentlest Angel

posted in: Personal | 0

It is Christmas day, circa 1975, late morning, perhaps early afternoon. Wrapping paper litters the living room floor, we three boys–Eric, Chris, and I–are putting our new gadgets and games to the test. Mom is performing her magic in the kitchen. Dad is doing whatever it is he does post-Christmas blizzard. One thing he does do: he turns up the radio when the broadcast of The Littlest Angel comes on WHCU. I put my playing on hold and sit in the tall-backed armchair to hear the story one more time.

The narrative doesn’t explain how a nameless four-and-a-half-year-old came to be in heaven, just that he is “a most miserable, thoroughly unhappy, and utterly dejected cherub.” And he is wreaking havoc on the heavenly peace: singing off key, knocking the other angels’ wings askew, allowing his halo to tarnish and slip off his head.

My father gave his first grandchild, my daughter, a picture book version of The Littlest Angel for her second Christmas, inscribing on the inside the cover: “my favorite Christmas story.” Why? What about it spoke to him so? I like to think it was the Littlest Angel’s free spirit. Tony Speno was by nature kind and considerate, yet I believe he had a soft spot in his heart for the good-hearted imps of the world. (I think of the sparkle in his voice as he read to Chris and me from Peck’s Bad Boy…but that is another story.) Tony seemed to admire the uninhibited spirit of children, as if he discerned the divine most clearly in God’s youngest and humblest creatures. In short, he loved the story of The Littlest Angel as a pediatrician–and as a father.

So many people loved Tony and looked up to him. They may have admired his humility most of all. Yet Tony was more than humble: he had a tendency to sell himself short. The father I knew was often painfully aware of his own faults. Flawed characters and underdogs appealed to him, including, of course, the Littlest Angel.

Midway through the story, the “Understanding Angel”–for me at the time and even still, a stand-in for my father–kindly takes the Littlest Angel aside and listens to his troubles. He empathizes, then offers to grant him a wish. The Littlest Angel requests the box of treasures hidden beneath his bed at home which contains a butterfly’s wing, a bird’s egg, two white stones, and his dead dog’s worn collar: mementos of earth that will make the perfection of heaven all the more bearable.

We at 605 the Parkway knew my father as a dreamer, a romantic, an idealist. “Your head is in the clouds,” we would tell him. But my dad’s appreciation for the The Littlest Angel reminds us of his ultimate earthiness. Tony Speno loved life. He loved the things of this world: fresh powder on a Rocky Mountain ski slope, a glass of tinto shared with a sympathetic stranger in a Basque bodega, the graceful stance of an egret in a Kiawah Island lagoon, a home-cooked dinner around the dining room table with Sandy, his children and grandchildren.

In his last years and months, my father was shrinking in stature. Even still, he would never qualify as God’s “littlest angel.” On the other hand–and I think you will agree–he has probably already established himself as being among heaven’s humblest–and gentlest–new angels.

More than an Afterthought

posted in: Good Reads: Nonfiction | 0

Charles Lindbergh shocked the world by flying solo across the Atlantic in 1927. Not to be outdone, Amelia Earhart repeated the feat the very next year. In 1933, Wiley Post flew his Lockheed Vega around the world in a mere eight days, but a woman did not match the accomplishment for a full three decades. What could be exciting about the story of a “first” that comes almost as an afterthought?

A lot, as it happens.

In Nancy Roe Pimm‘s telling (The Jerrie Mock Story, 2016, based on extensive interviews with the pilot before her death), the difficulties start on the very first leg of pilot Geraldine “Jerrie” Mock‘s journey.   Her radio goes out, and her brakes fail upon landing. The problems continue: ice builds up on her wings over the Atlantic; thunderstorms force her to reroute over Africa, a smoking electrical system induces panic, armed men greet her at an airport in Egypt, a sandstorm threatens to wreck her engine–and she isn’t even half way to her goal.

The most shocking fact for me was her lack of professional aviation qualifications. She was an amateur–in fact, “just a housewife.” She had trained to be instrument-rated but had never flown that way without an instructor at her side. She had a mere 750 hours in the air.

Mock grew up in the thirties and was inspired by the accomplishments of Amelia Earhart. But Mock was less interested in setting records, than in seeing the world. The tension between these two goals is another driving force in Pimm’s narrative. Several weeks before Mock is to depart, she learns that another woman, Joan Merriam Smith, is planning the same record-setting flight. What Mock foresaw as a leisurely sightseeing trip suddenly becomes a race to be first (as the these stories so often do). Mock is not so sure she wants to join the competition but, inevitably, realizes she has “no choice.” Yearning for more time to linger at each stop, she dutifully hops into the plane and continues her quest.

If, indeed, it is her quest. In the most distressing part of the story, Mock’s husband seems to assert his male prerogative to make key decisions for her.  He prods her to move more quickly and chastises her when she dawdles. When aviation authorities advise her to wait out a storm over the Azores, Mr. Mock “beg”s her to get back in the air, seemingly regardless of her safety. From their home in Columbus, Ohio, he somehow manages to cancel all the celebrations planned to welcome her to Hawaii.  Mock, the pilot, is distraught.  She needs rest, but the narrative makes clear that the husband is not looking out for his wife’s interests but his own.  He wants her to claim the first-around-the-world honors.  I found myself wondering if their marriage survived this deep misalignment of viewpoint. Pimm does not say.

Mock received help from supportive men, especially Brigadier General Dick Lassiter and Major Arthur Weiner. But many men openly doubted the legitimacy of her even making the attempt. It is shocking to read the words announced by air traffic control immediately following Mock’s take-off: “Well, I guess that’s the last we’ll hear from her.”

Mock was a pioneer but also a woman of her time.  While proving that a woman could excel in a “man’s” field, she wasn’t afraid to seek more “womanly” pleasures, as she did when visiting a beauty parlor in Manila.  She hit the salon on her first day back in Columbus, too–just before resuming housewifely duties.  But she had changed, too, and she had earned respect not given the average homemaker.  Mock kept flying and setting records. In the years that followed, she established six more firsts, and set numerous speed and distance records. She became a real competitor. Still, she dismissed the importance of her first first memorably: “Planes are made to be flown. I was just out having a little fun in my plane.”

SourcePimm, Nancy Roe.  The Jerrie Mock Story: The First Woman to Fly Solo Around the World.  Athens: Ohio University Press,

Cowboy Justice

posted in: Will Rogers | 0

They hung their compadre, Jake Spoon.

I was shocked yet somehow satisfied.  It made sense.  Jake had never been a sympathetic character.  He lacked virtue of any kind.  He was a wayward soul.  Then he broke the ultimate cowboy taboo–rustling horses–and had to pay the ultimate price.  But for his old rangering buddies, Gus and Call, to carry out the execution?  This must be what one means by “cowboy justice”–swift and sure.

So was Larry McMurtry‘s treatment of the event in his book, Lonesome Dove: swift and sure.  The lead-up took time, in retrospect, but the hanging took just a single chapter.  The deed was done; then the plot, as well as the protagonists, moved on.  The matter-of-fact abruptness was part-and-parcel with the meaning of the event.  This is what honorable men of the West did.

Come to find out McMurtry pinched the incident from an Owen Wister novel that preceded his own by eighty years.  Wister’s treatment is entirely different from McMurtry’s, though.  At first, his eponymous hero (called “the Virginian” throughout) shows characteristic resolve in executing his old friend, Steve.  But soon the cracks appear in his emotional armor.  He broods for days and sinks into a depression.  Wister spends multiple chapters and dozens of pages covering the execution and its aftermath.  It is as if, through his narrative, he “protests too much,” knowing his Eastern readers will be shocked by the vigilante justice he portrays.

Indeed, Will Rogers–often compared at the time to the Virginian–objected strongly to the episode.  When asked his reaction to the book, Rogers replied, “Yep, I read it–leastwise, part of it.  …and we were mightily interested in this yere story until we got to the part where that main guy–that Virginian, with his black hair and brown eyes–catches his pal cattle rustlin’ and hangs him.  Say, we threw that book away.”  So much for “cowboy justice” in the eyes of the America’s “cowboy philosopher.”

Launch Party at Ft. Thomas Blue Marble

posted in: Publicity | 0

The Goodnight Moon Room upstairs at the Blue Marble is small.  I wasn’t worried about filling it.  But a number of people had regretted at the last minute, and I was beginning to feel the onset of disappointment.

To my surprise a steady flow of old friends came in the door, many I had not seen for some time.  I was uplifted by the support–and more than a little overwhelmed.  I was drained emotionally and physically by the end.  (I had risen shortly after 5:00 am, and I signed over forty books.)

Now I need complete strangers to invest in the book!